You don't just one day say, 'That's it, I'm doing this, I'm going to throw all my shoes out and I'm not eating honey and I won't drive my car because there are animal bones in the tires...' because you'd drive yourself around the bend.

I started in theatre. I was at Cleveland and I went to London for the 400th anniversary of Shakespeare’s birth.

Once a film is shot, the thing that mostly happens is that I go see all the things I would have fixed in my performance and sometimes, very rarely, I see a moment that surprise me and I go, “Oh, that’s not bad. That was nice.”

I don’t look like a leading man, whatever they look like. It’s changing a little.

Often we’re recreating what we think we’re supposed to be as human beings. What we’ve been told we’re supposed to be, instead of who we authentically are. The key about the creation of full self-expression is to be authentically who you are, to project that.

There is something intrinsically, systemically wrong with white, western culture, and if we don’t fix it, it won’t continue.

I play an 89-year-old man whose wife has Alzheimer’s in a movie called ‘Still.’ I play a World War II veteran, I acted with my son and it’s called ‘Memorial Day.’

Until men learn to celebrate and operate on the feminine aspect of themselves and stop the oppression of women, children, the environment, other species, we don’t have a world to live in. It’s not a world that anyone chooses to live in.

Jamie’ is what my mother gave me, and that takes the onus off of being big. Somebody thinks, ‘Oh, Jamie – how threatening can he be?

Every day is perfect because there’s no other day! As a friend of mine said, “Ride the horse in the direction it’s going.” When you do that, you realize that every moment, every breath, every sound, every encounter is a gift. You bloody well better enjoy it.